主演：克洛维斯·科尔尼亚克,伯利·兰内尔,阿里·阿比唐,布鲁诺·洛歇,埃洛迪·布歇,安德烈·马尔孔,安妮可·克里斯蒂安斯
导演：洛朗·杜尔
简介：第一部实景拍摄备受世界瞩目环法大赛的电影 传奇单车手伯纳德伊诺、罗宏加拉伯特 特别联袂客串 铁马欧吉桑，为爱为梦想，勇闯自行车运动最高殿堂 年过40的冯索是个不折不扣的中年鲁蛇，他的儿子瞧不起他，他的老婆指责他。为了躲避令人沮丧的日常生活，他把所有时间都花在心爱的单车上，当妻子发现他居然还报名今年环法大赛的义工后，终于受不了提出离婚的要求，要带儿子一起离开他。 直到认识雷米后，冯索的生命才默默起了变化，同是天涯沦落人，受到前风光运动经理、如今也是废材一枝的雷米影响，冯索决定要实现他深埋已久的童年梦想─参加环法大赛。 半路出家的他，志在参加、不在得名；他的参赛启发许多人的加入，每当他再过一关，离终点越来越近，媒体对他就越发疯狂，只是在周围都是职业好手的包围下，他真能撑过如此艰辛的赛程直到最后吗？
主演：丹尼尔·奥特伊,艾曼纽·贝阿,安德烈·杜索里埃,伊丽莎白·布尔吉娜,布丽吉特·卡蒂永,米丽娅姆·博耶,斯坦尼斯拉斯·卡雷·德·马尔博格,Dominique,De,Williencourt
导演：克洛德·索泰
简介：史蒂芬（丹尼尔·奥图 Daniel Auteuil 饰）与马克西姆（安德烈·杜索里埃 André Dussollier 饰）是相处多年的好友，性格迥异的两人之间产生的奇妙化学反应让他们成为了工作上的完美搭档。两人共同创建了一个小提琴工作室，提供出售和修理小提琴的服务，日 子过得平静而快乐。作为工作室的客户，卡米尔（艾曼纽·贝阿 Emmanuelle Béart 饰）的第一次光顾就吸引了两位好友的目光，马克西姆更是立刻就对卡米尔展开了热烈的追求，可是卡米尔的目光却落在了表面冷漠的史蒂芬身上。在拒绝和吸引中，三个人的恋情无法得以善终，多年后，当他们重新聚在一起，是否会因为曾经的退缩和恐惧感到淡淡的伤感？
主演：艾曼纽·德芙,儒勒·斯楚克,布鲁诺·波达里德斯,帕斯卡·埃尔贝,Areen,Omari,麦赫迪·德比
导演：罗兰娜·利维
简介：当约瑟夫准备加入以色列军队服兵役时，发现自己不是父母的亲身儿子，在他出生时，他与约旦河西岸的一个巴勒斯坦家庭的小孩亚辛换错了。因这一发现，两个家庭的生活突然发生了翻天覆地的变化，这一发现迫使他们重新思考各自的身份、价值和信念。本片围绕着巴以冲突这个历史悠久而且无法得到有效解决的问题展开，本该互相敌视的两个家庭阴差阳错的抱错了孩子并且把他们分别抚养成人——优秀的人。于是，在本片中，我们看到了民族的敌意，宗教的排斥，但是更多的是互相理解和接受的过程。“我不再是犹太人了，但是我也不是阿拉伯人。”在这样的命题下，我们发现解决这种棘手问题似乎只有一个出发点——在成为“什么人”之前首先成为一个“人”。
主演：奥玛·希,格洛丽亚·科尔斯顿,克蕾曼丝·波西,安托万·贝特朗,艾什雷·沃特斯
导演：雨果·热兰
简介：萨缪尔（欧麦•希饰），黑人移民后代，普罗旺斯地中海峡湾和沙滩上有名的花花公子，白天给老板娘做豪华游艇驾驶员，晚上当迪吧派对主持人，凭借着帅气、幽默以及撩妹的天赋，获得了来来往往各种年龄女人的爱媚。一天清晨，不速之客克莉丝汀（克蕾曼丝•波西饰），抱着3个月大的混血女婴找上门，说孩子是和萨缪尔一年前的一夜情留下的，借口付车费、抛下孩子走了。男主根据脸书上唯一的头像，来到伦敦寻克莉丝汀未果，偶遇法国老乡制片人贝尔尼（安托万•贝尔纳饰），在片场找到了生计，变成超级奶爸，让孩子格罗里亚快乐地长大。八年后的一天，孩子母亲突然出现，情况变得复杂……
主演：克劳斯·坦格,Ursula,Bedena,Joe,Koener,Birgit,Yew,汉斯·德·芒特,Anna,D'Annunzio,Jean-Michel,Vovk
导演：布鲁诺·福扎尼,伊莲娜·卡泰特
简介：铅黄电影。有点实验性的Cult片，《安娜迷宫》的导演又给大家带来感官盛宴。怪奇公寓妇女失踪，墙后房间通往童年，礼盒爬出帽子刺客，壁纸起伏欲望隧道；时空循环自我谋杀，白发初恋听诊凶案，糖果夹杂玻璃碎片，爆头画皮血流满屋……
主演：李康生,陈湘琪,陆弈静,苗天,叶童,让-皮埃尔·利奥德,Chao-jung,Chen,Guei,Tsai,Arthur,Nauzyciel,David,Ganansia
导演：蔡明亮
简介：父亲离世后，来到天桥摆摊卖手表的小康（李康生）同母亲一样，虽自觉与其并无多少情感，却无法摆脱其在精神上的无处不在。因为一块可以显示出巴黎与台北时差的手表，小康结识要去巴黎的湘琪（陈湘琪 饰），自此，精神抑压的他以为同巴黎（湘琪 饰）取得了某种形式的关联，获得某种虚空的安慰。当小康通过把时钟调慢7小时、观看电影《四百击》等形式来表达他对湘琪暧昧的思念时，远在巴黎的湘琪也并没能从生活中找到多少积极的意义。无论同性（叶童）还是异性，她均无法从他们身上得到想要的温暖。
主演：萨尔玛·海耶克,佩内洛普·克鲁兹,斯蒂夫·扎恩,德怀特·尤科姆,丹尼斯·阿尔恩特,山姆·夏普德,伊斯梅尔·伊斯特·卡尔罗,Edgar,Vivar,埃内斯托·戈麦斯·克鲁斯
导演：乔阿吉姆·罗恩尼,艾斯彭·山德伯格
简介：19世纪80年代，美国帝国主义四出扩张，对殖民地进行疯狂的洗掠。一时间，殖民地人民纷纷建立起了反抗军，对抗美帝国主义。墨西哥当时也是美帝的殖民地，萨拉（萨尔玛•海耶克 Salma Hayek 饰）是当地一位银行家的女儿，虽然自小就被精心培养成标准的“欧洲淑女”。但萨拉却是一身豪气侠胆，被美帝夺取了家里的财产后，萨拉开始了武装抢劫美帝的银行之旅。玛丽亚（佩内洛普•克鲁兹 Penélope Cruz 饰）是当地一户农户的女儿，因父亲被美兵殴打伤重，点燃了她对美帝的仇恨之火，玛丽亚也开始抢劫美帝的银行。两个女孩在一次抢劫银行时偶遇了，从此她们结束了单打独斗，联合起来共同对付美帝。
主演：罗曼·杜里斯,凯利·蕾莉,奥黛丽·塔图,塞西尔·德·弗朗斯,Evguenya,Obraztsova
导演：塞德里克·克拉皮斯
简介：电影为《西班牙公寓》的续集。时隔五年，塞维尔（罗曼·杜里斯 Romain Duris 饰）已然完成了学业，成为了一名专职作家，放弃一切追逐梦想的勇气值得敬佩，但生活并不会因此而一帆风顺，在可见的未来中，依旧有着许多无解的难题等待着塞维尔。在和玛蒂娜（奥黛丽·塔图 Audrey Tautou 饰）分手后，塞维尔名正言顺的过上了四处猎艳的自由生活，而前者则选择了为人妻母，这让塞维尔的心里多多少少有些不是滋味。为了生计，塞维尔不得不接受一些毫无乐趣的工作，而并不丰富的人生阅历也让他在写作上遭遇了瓶颈。为了解决这个棘手的问题，塞维尔决定好好的回顾一下自己的人生，他来到了位于俄罗斯的圣彼得堡，在哪里，一段新的生活等待着他。
主演：朱丽叶·比诺什,妮可·加西亚,弗朗索瓦·西维尔,玛丽-安吉·科斯塔,纪尧姆·谷伊,夏尔·贝尔林,朱勒斯·霍普兰,朱尔斯·高泽林,弗兰西斯·莱珀雷,克洛德·佩隆
导演：萨菲·奈布
简介：比诺什在片中饰演50岁的离异教师克莱尔，她为了监视自己的情人乔，在Facebook上虚构了一个24岁漂亮黑发女生的人物身份。但是乔只接受自己认识的人的好友请求。为了能接近乔，克莱尔给他最好的朋友克里斯发了好友请求，克里斯接受了。不曾想，经过一段时间的聊天，克莱尔爱上了克里斯，克里斯也爱上了这个虚构出来的女生，他提出想见一面的要求。于是克莱尔不得不编出了一份繁忙的工作，一次长时间的出差旅行，还有一个嫉妒心很强的前任。她要么只能继续编造各种谎言来维持这份没有未来的爱情，要么就得承认自己的欺骗并做好失去爱情的准备……
主演：西恩·潘,杰丝敏·特丽卡,哈维尔·巴登,雷·温斯顿,马克·里朗斯,伊德里斯·艾尔巴,彼得·弗兰森,马克·沙尔丹,埃米利奥·布阿勒,卡拉·佩雷斯,托尼·科尔维略,安吉拉·富恩特,玛丽娜·马修斯,大卫·布莱克雷
导演：皮埃尔·莫瑞尔
简介：国际特种部队间谍吉姆（西恩·潘 Sean Penn 饰），为了他的爱人而想要退出组织，但天不从人愿，就在他完成最后一项“任务”时，为了确保自身安全与公司利益，他必须要人间蒸发匿身他处，与心爱的人从此分开。离开组织在欧洲流亡多年后，吉姆以为能够脱离危险，就此过着平静的生活；无奈人生并非他想像中单纯，在刚果被神秘人物追杀的他，被迫放下所有，展开逃亡。逃亡途中他辗转联系到昔日战友，并寻求他们的协助，却也因此发现追杀行动里暗藏着不为人知的祕密，而现在，唯有找出追杀他的幕后主使，才能给他一条生路……
主演：塔哈·拉希姆,艾玛纽尔·塞尼耶,安娜·多尔瓦尔,伯利·兰内尔,布鲁诺·洛普斯,莫妮亚·肖克里,阿丽斯·塔格里奥妮,卡里姆·莱克路,费尼肯·欧菲尔德,西奥·乔尔比,阿丽斯·德·朗克桑,多米尼克·布隆
导演：卡黛儿·基耶维蕾
简介：一起致命意外牵起陌生故事的延续。赛门不知道，这个黎明会一去不返。赛门和好友三人于清晨逐海冲浪，尽兴出游换来回程的疲劳驾驶，酿成无法挽回的伤害。年纪轻轻的赛门，人生才刚开始，却因车祸陷入脑死，只能靠生命维持系统活着。就在赛门父母还难以接受事实的当下，医生勇敢告知，赛门的生命可以拯救其他垂危的性命，建议进行器官捐赠配对。同一时间在巴黎，一名深受心疾威胁的母亲正在等待心脏移植，赛门的心跳，将为这位坚强母亲注入重生的力量......
主演：Mohamed,Djouhri,Hania,Amar,Hassan,Kachach,Mehdi,Ramdani,Nadia,Kaci,Sonia,Mekkiou,Chawki,Amari,Lamri,Kaouane,奥雷·阿蒂卡,Abdelaziz,Zeghbib,Zineddine,Hamdouche,Saadia,Gacem,Hamid,Ben,Si,Amor,Samir,El,Hakim,Mohamed,Lamine
导演：卡里姆·穆萨维
简介：今天的阿尔及利亚：三个故事，三代人。穆拉德，一位离过婚的房地产开发商，觉得身边所有人都在逃避他。艾莎，一个年轻的女孩，在情人和未婚夫之间两难挣扎。达曼，一位神经学家，在婚礼前的一天突然被他的过去所困扰。
主演：劳尔·卡拉米,Anne,Suarez,杰纳维夫·马尼奇,Nolan,Arizmendi,Sasha,Lemaitre,Cremaschi,西里尔·奎伊,露西·加洛,Agathe,Dronne,Mathilde,Weil,Dana,Fiaque,Mareme,N'Diaye,Olivier,Faliez,伊琳娜·穆雷勒,Aymeline,Alix,Carima,Amarouche
导演：埃里克·格拉韦尔
简介：朱莉在巴黎一家豪华酒店打工，工作非常辛苦，还要努力照顾在乡下的两个孩子。后来，她得到了一个期待已久的工作面试机会，但一场全国性的罢工爆发了，导致公共交通系统陷入瘫痪。一直以来，朱莉努力在生活中维系着一种平衡，而这种脆弱的平衡被突发事件所打破。为了得偿所愿，她冒着随时都会碰壁乃至失去一切的风险，开始了一场与时间的疯狂赛跑。
主演：Richard,Anconina,帕特里克·坦西,布鲁诺·洛歇,Jean-Luc,Lahaye,Jeanne,Mas,Gilbert,Montagné,Sabrina,Salerno,Valéry,Zeitoun,Début,de,soirée,Desireless
导演：Frédéric,Forestier
简介：Vincent和Antoine都是狂热的乐迷，两人靠到处做工地秀苦苦支撑着一个小小的演艺公司。眼看生计难以为继，Vincent家中的一个小小皮盒给了他们创业灵感：Jeanne Mas, Jean-Luc Lahaye, Lio, Desireless, Peter Sloane, François Feldman, Début de soirée, Images, Cookie Dingler, Sabrina, Gilbert Montagné... 里面装满了80年代的畅销曲！让这些80年代的巨星重新登上舞台会大卖吧！？两位制作人于是出发去寻找那些已经被公众遗忘的明星们。从乡下小酒吧里的寒酸怀旧演唱会开始r……直到法兰西体育场！
主演：Danièle,Huillet,Jean-Marie,Straub
导演：Pedro,Costa,Thierry,Lounas
简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
主演：René,Lefèvre,朱尔·贝里,弗洛雷勒
导演：让·雷诺阿
简介：朗治（瑞奈·列费夫尔 René Lefèvre 饰）在一间印刷厂里做了一辈子的文员，撇开正式职业不谈，他还有一颗成为作家的心，常常在业余时间创作漫画和小说。一天，朗治的老板因为贪腐诈骗的罪行东窗事发选择了跑路，却在路上遭遇车祸下落不明，为了维持印刷厂的正常运作，朗治被推举成为了印刷厂的临时管事人，在朗治和其他员工们的努力经营之下，本来濒临倒闭的印刷厂不仅避免了关门大吉的命运，还有了不菲的盈利。一天，老板巴尔塔（朱尔·贝里 Jules Berry 饰）忽然出现在了朗治的面前，大难不死的他不仅企图侵吞朗治和工人们的所有劳动成果，甚至想要将朗治的女友据为己有。
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：胡立欧·查韦斯,玛莉亚·奥内托,María,Ucedo,Inés,Molina,Arturo,Goetz
导演：艾瑞尔·罗特
简介：2007柏林电影节评审团奖。讲述一个变换身份的神秘人的故事。像往常一样，某天去另一个国家出差，却变成了另一段旅程的开始：当他到达他的目的地时，Juan Desouza发现他身边一位男子已经死亡。鬼使神差的，像进入一个游戏世界一样，他决定用这个人的身份，为自己找一份工作，找一个地方栖身，并且不希望回到过去的生活。在他的这种新生活里，在可能的状态下，在没有目的的情况下，这个男人开始了一段探寻本性的冒险。为了重新发现他的人生观，他用自己最基本的本能，试图领悟他对生活的理解。对他来说，他选择什么生活，他为什么活着，绝不是只有一种可能。此片由德法与阿根廷合拍，艾瑞尔-罗特为阿根廷青年导演兼编剧，继2001年推出《Sólo por hoy》(生活在他方)后，此次艾瑞尔-罗特带着《El otro》再次来到柏林。该片其导演的第二部作品。Julio Chávez曾凭借在玛莉亚.卢萨.贝姆1982年执导的文艺片《Senora de nadie》(无丈妻身)，在巴拿马影展中获得最佳女演员奖，该片堪称八十年代阿根廷电影的经典之作。其出演的影片《守护者》是56届柏林电影节参展影片。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：马克桑斯·达奈-弗伟尔,鲁伯特·韦恩-詹姆斯,萨比恩·克洛森,Anaïs,D'Alyciade,Jean-Michel,Dubreuil,Agatha,Maksimova,Louise,Molinaro,Anaïs,Parello,Eléonore,Sarrazin,Axel,Baille
导演：乔里斯·福肯·格里莫德
简介：The House of Gaunt - Lord Voldemort Origins is a short film directed by Joris FAUCON GRIMAUD about Voldemort origins.The House of Gaunt is an unofficial short film who tells about the Voldemort origins, inspired by the Harry Potter universe from J.K. Rowling's book « Harry Potter and the Half-Blood Prince ». It is freely adapted for the screen and directed by Joris FAUCON GRIMAUD. This is a non-profit movie production that is unaffiliated andor controlled by Warner Bros.Made by fans for fans.
主演：加斯帕·曼尼斯,拉斐尔·费伊特,弗朗辛·拉塞特,斯坦尼斯拉斯·卡雷·德·马尔博格,菲利普·莫里尔-热努,弗朗索瓦·贝莱昂,弗朗索瓦·尼格雷特,彼得·菲茨,伊莲娜·雅各布,阿诺·翁利叶,勒内·布洛克,Pascal,Rivet,Benoît,Henriet,Richard,Leboeuf,Xavier,Legrand,Jean-Sébastien,Chauvin,Luc,Etienne
导演：路易·马勒
简介：二战末期，德国的反犹政策还在坚定不移地推行着。来自马赛的犹太孩子波奈特（拉法艾丽·弗托Raphael Fejtö 饰）因此家破人亡，被送到法国的学校念书。在这里，他一直小心翼翼的保守着他的秘密，但还是因为新生的关系常常遭到同学戏弄。其中就有法国有钱家庭出身的朱利安（加斯帕尔·马奈斯Gaspard Manesse 饰）。朱利安和波奈特成为了室友，在共同相处的日子里，朱利安发现，这个经常被欺负的男孩有着跟自己志趣相投的一面。两人的关系渐渐融洽，成了童年要好的伙伴。当朱利安从种种迹象猜测出波奈特的犹太人背景时，他没有疏远波奈特，而且还帮忙隐藏这个秘密。也许在孩子的心中，政治世界在真挚的友谊面前显得太过渺小。然而，大人的魔掌还是侵入了波奈特的人生，保护犹太孩子的神父和波奈特都被出卖了……
主演：利诺·文图拉,桑德拉·米洛,让-保罗·贝尔蒙多,马塞尔·达里奥,米歇尔·阿旦
导演：克洛德·索泰
简介：Abel Davos在所有警察的追捕下，从意大利米兰流窜到法国尼斯。与一名陌生小伙子Eric Starck同谋合作，他重新回到巴黎，为的是解决债务……一部震惊的作品，充满了紧张悬念气氛。由乔斯.乔凡尼根据自己的小说改编，是法国警匪电影中最出色的经典之一。
主演：夏洛特·韦里,弗里德里克·范登德里舍,米歇尔·瓦莱蒂,赫尔菲里克,让-克洛德·比埃特,玛丽·里维埃,罗杰·杜马斯,达尼埃莱·莱布伦,戴安莱夫里耶,Ava,Loraschi,Christiane,Desbois,Rosette,Jean-Luc,Revol,Haydée,Caillot,Claudine,Paringaux
导演：埃里克·侯麦
简介：侯麦著名系列作品“四季的故事”之一。菲利茜（夏洛特·海瑞 Charlotte Véry饰）和查理（费德瑞克·范丹狄德夏 Frédéric van den Driessche饰）在海边浪漫相恋之后，因为一时不留神留下了写错的地址，而导致了二人再也找不到彼此。菲利茜生下了查理的孩子，但5年来却再也没有查理的音讯。生活还在继续，菲利茜遇上了喜欢她的一些男子，他们也不失为好男人，足够爱自己。比如成熟体贴的马桑（迈克尔·瓦雷蒂 Michael Voletti饰）和才华横溢的路易（Hervé Furic饰）。然而，在菲利茜的心中，查理却仍旧是个挥之不去的至爱之人。她不是不爱他们，只是无法爱到能和他们一起生活。她和路易一起看莎士比亚的歌剧《冬天的故事》，为里面的人物悄然落泪，也许她和剧中人一样，也在坚守着一个信念。终于某个冬天，菲利茜和查理竟然在公车上重遇，执着的梦想等来了实现的一天。
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